I got to put in some instruments that they probably wouldnt have used if I hadnt mentioned I would like to do that. We continued to get better and started playing out at Johnsons Beach drawing good crowds. We played with the Beach Boys in Seattle. We did the Summer Shower of Stars tour following that in the summer of 1967 with Sam the Sham and the Pharaohs and Tommy James and the Shondells. They had great harmony together. It was pure Dick Holler. They had great harmony together. BILLY: We had started to get some royalty checks by this point and we knew they were going to want a single so we went along with it. We got called into the Principals office one day and were told you cant stay here like that, you have to get a hair cut or well throw you out. I was actually asked to audition for The Guardsmen along with a couple of other people. ET: Obviously, there was an official image of The Royal Guardsmen that was sold to the public and there was the true image behind that one that was a different group. From a German point of view, the Baron is the hero and the dog is the enemy. He ratted me out and we got suspended. BILLY: We played a community center in Chicago during our 1968 tour for a bunch of hip kids. We got together to rehearse on a Thursday or Friday and realized Gernhard is going to be here Saturday, we better do something with this song! They released that as a single and Billy and Barry wrote it. CHRIS: Right, smoking in the auditorium! I was only seventeen and I didnt know what was going to happen if I told them I was the one making that noise! They had great harmony together. Were you pushing for something else? BILL: We didnt want to do any more novelty type tunes. CHRIS: We got a good response to the shows. We got called into the Principals office one day and were told you cant stay here like that, you have to get a hair cut or well throw you out. That gave me the opportunity to return the equipment I had only had for a week and get the Vox equipment I had to have to be in the band. Most of us were still in high school and couldnt have long hair so they had us wear wigs. ET: So as the hierarchy of local groups went at that time, The Royal Guardsmen were at the top of the list? They released that as a single and Billy and Barry wrote it. BILLY: I think we recorded that around August or early September because it was released the week before Thanksgiving. JOHN: When I Needed You was recorded, Chris had all the lights turned down and he made us step off to the side so we werent in his vision. He sang it with all of his heart. BARRY: I had turned eighteen already and I was in the draft. He was just a wonderful guy, just warm and personal. BARRY: I had a ball with the Christmas record. Did any other labels express interest? We were doing the English stuff and hoping to write songs in that genre, then here comes Snoopy! Scenes from the "Snoopy vs The Red Baron" video filmed at the St. Petersburg Executive Airport and included in the 1968 television special, "The Fabulous Funnies". ET: How close was that version to the one that ended up on Laurie Records? BILL: We played the Beatles, the Rolling Stones, the Animals, and the Zombies. Were you pushing for something else? Diese Seite wurde zuletzt am 21. It wasnt against each other it was just the whole business. Schulz eventually gave his consent, they got a pretty healthy chunk of money, and we moved right on down the road. CHRIS: Right, smoking in the auditorium! CHRIS: We wanted to write serious music. On The Return of the Red Baron we had him saying I hate that little dog Snoopy! I also played this big line of tubular bells with flip flops on! Ironically, after I had quit the band in 1969, by 1970 I was playing piano in the honky tonk saloon at Six Gun Territory for two and a half years while I finished up college. They were going to have a Shower of Stars at the Curtis Hixson Hall made up of mostly Tampa groups with Monte Rock the Third as the headliner and we were asked to play. The album was good but they were just throwing the single out there to keep it going. It had Baby Lets Wait on the A side and Leaving Me on the B side because those were the first two songs we recorded. Ironically, the store they had bought the equipment from called them and said they had filled out the contract wrong and needed them to come back and sign a new one. JOHN: Of all the songs we did I think that one had the nicest production. It wasnt against each other it was just the whole business. From what I understand, they stamped up a new title of Squeaky vs. the Black Knight in Canada. It would turn so far one way and then stop and turn the other way. Two of the members of The Posmen had quit, the singer and our guitar player. I was told that I got the gig but I had to have a Vox Continental organ. What was the reaction of the record company? JOHN: When we did the Joey Bishop Show I went to move the boom mic because I didnt sing at that time and I heard a huge voice come out of the sky and say dont touch that! Schulz eventually gave his consent, they got a pretty healthy chunk of money, and we moved right on down the road. The guys in the booth kept going whats that noise? I also played this big line of tubular bells with flip flops on! ET: The Return of the Red Baron is probably your most personal album but neither it nor the single did as well as the first ones. BILL: We didnt want to do any more novelty type tunes. We played the Cow Palace in San Francisco with Jefferson Airplane. We did the Summer Shower of Stars tour following that in the summer of 1967 with Sam the Sham and the Pharaohs and Tommy James and the Shondells. People were blown away with what we were playing. We got a pretty good response and so we got asked back the next time they had one of these local band shows. We got called into the Principals office one day and were told you cant stay here like that, you have to get a hair cut or well throw you out. We did the Summer Shower of Stars tour following that in the summer of 1967 with Sam the Sham and the Pharaohs and Tommy James and the Shondells. Chris Nunley, Barry Winslow, Bill Balogh, Billy Taylor, John Burdett, the late Tom Richards. CHRIS: We got a good response to the shows. ET: Pardon my lack of fluency in German, but what exactly does the intro translate to? People were blown away with what we were playing. We got together to rehearse on a Thursday or Friday and realized Gernhard is going to be here Saturday, we better do something with this song! I suspect Charles Schulz didnt want his Charlie Brown to be associated with that one. It didnt go so then he came back and said now you have to do Snoopy. Then Christmas of 1967 came around and they wanted us to do Snoopys Christmas which we werent too enthusiastic about but it turned out to be a good move. I saw this blue-white light just arc as it shorted out on my lip! BARRY: They went long in Ricardo Montalbans segment and they just threw us in there. He was just a wonderful guy, just warm and personal. It was booming through the riser I was on. He only released it regionally in Florida and it only sold like 2000 copies. Chris had the vocals for the Jagger and Burdon styles and Barry had the vocals for the Beatles. How did that photo shoot come about? We were tired, our eyes were puffy and we were just worn out. I remember them saying they were getting the sound of my flip flops in the recording as I ran down the bells but I didnt think anyone would be able to hear it. The place was packed and the stage started to jerk about every tenth round. We came on stage and started doing all this Procol Harum stuff and they just sat down and didnt move for two hours! Bill Balogh (bass), and a We had already released Baby Lets Wait and Leaving Me so the only thing we had left that we recorded was that. Thats how it started for me! ET: Did you play different tracks live than what was on the albums? I was actually asked to audition for The Guardsmen along with a couple of other people. The Red Baron on it. I played the timpani and a cymbal and put in a drum solo. You had a choice between French, Latin, or German, ironically no Spanish then, and I chose German. They were that blown away. I said who is that, God? The crowd loved it, they thought it was part of the show! People were blown away with what we were playing. BARRY: Return was just one of those typical record company things. I got to put in some instruments that they probably wouldnt have used if I hadnt mentioned I would like to do that. CHRIS: Right, smoking in the auditorium! We had already released Baby Lets Wait and Leaving Me so the only thing we had left that we recorded was that. We got a pretty good response and so we got asked back the next time they had one of these local band shows. We were doing the English stuff and hoping to write songs in that genre, then here comes Snoopy! BILL: We didnt want to do any more novelty type tunes. It was used for talk shows and to record radio jingles. ET: I noticed that the track listing is left off the album cover. ET: How did I Needed You end up on the B-side of Snoopy vs. We played with the Beach Boys in Seattle. We came on stage and started doing all this Procol Harum stuff and they just sat down and didnt move for two hours! His lawyers smelled money and, whether Charles cared or not, the lawyers put a ding in us! ET: Did you play different tracks live than what was on the albums? I didnt know there were union rules and stuff like that! The others, except for Barry, were all in college at that time. BARRY: Return was just one of those typical record company things. CHRIS: Right, smoking in the auditorium! ET: Obviously, there was an official image of The Royal Guardsmen that was sold to the public and there was the true image behind that one that was a different group. How did that photo shoot come about? Chris had the vocals for the Jagger and Burdon styles and Barry had the vocals for the Beatles. I think I was the only one in the group who didnt play drums. The crowd loved it, they thought it was part of the show! Ironically, after I had quit the band in 1969, by 1970 I was playing piano in the honky tonk saloon at Six Gun Territory for two and a half years while I finished up college. Ironically, after I had quit the band in 1969, by 1970 I was playing piano in the honky tonk saloon at Six Gun Territory for two and a half years while I finished up college. I played the timpani and a cymbal and put in a drum solo. We both went and got hair cuts but we saved our hair and stuffed it in the schools mail box! I wasnt about to just let them throw me on the ground so I went to enlist and I cut all my hair off, I wasnt going to let them do that either. The Kingsmen had a hit with Jolly Green Giant and the Sam the Sham had Little Red Riding Hood. The Red Baron or was the idea to get into the studio and record an album as quickly as possible? They list a few songs on the front but its basically a big drawing of the Red baron on the cover and a tiny picture of The Royal Guardsmen on the back. BILL: Yes, they followed up Return with Airplane Song which was another novelty! BARRY: Return was just one of those typical record company things. We went back into the studio in Tampa almost immediately. That came from Gernhard and his buddy, Johnny McCullough. The place was packed and the stage started to jerk about every tenth round. There was a different sound and different tracks you wanted to play. Then Christmas of 1967 came around and they wanted us to do Snoopys Christmas which we werent too enthusiastic about but it turned out to be a good move. The Red Baron? Then Larry Rich got his draft notice and decided to join the Navy. We came on stage and started doing all this Procol Harum stuff and they just sat down and didnt move for two hours! BILL: Yes, they followed up Return with Airplane Song which was another novelty! BILLY: I think thats what kept us going. ET: The Return of the Red Baron is probably your most personal album but neither it nor the single did as well as the first ones. ET: Did you play different tracks live than what was on the albums? I got to put in some instruments that they probably wouldnt have used if I hadnt mentioned I would like to do that. BILLY: He had independently contracted with them to give them first refusal When Charles Schulz started drawing Snoopy on his doghouse yelling Curse you, Red Baron, Phil went to Dick and said why dont you put that in the song you wrote about the Red Baron and make it a novelty thing? After a while, it got to where we would do the Snoopy songs first just to get them out of the way. We got called into the Principals office one day and were told you cant stay here like that, you have to get a hair cut or well throw you out. Most of us were still in high school and couldnt have long hair so they had us wear wigs. I was only seventeen and I didnt know what was going to happen if I told them I was the one making that noise! The album was good but they were just throwing the single out there to keep it going. Were you pushing for something else? 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